so disguised that the sentries did not know him

To them, indeed, he might be heard talking in his own tongue. And sometimes, it is said, he would pass out of his own gates late at night so disguised that the sentries did not know him. Then he would mingle with the crowd on the Galata Bridge; or stroll through the bazaars; or throw aside his shoes and join the worshippers in the Mosques. Once, when it was given out that he was ill of a fever, shepherds, bringing their goats to market, reported that they had met an English Lord on the mountain top and heard him praying to his God. This was thought to be Orlando himself, and his prayer was, no doubt, a poem said aloud, for it was known that he still carried about with him, in the bosom of his cloak, a much scored manuscript; and servants, listening at the door, heard the Ambassador chanting something in an odd, sing-song voice when he was alone. It is with fragments such as these that we must do our best to make up a picture of Orlando’s life and character at this time. There exist, even to this day, rumours, legends, anecdotes of a floating and unauthenticated kind about Orlando’s life in Constantinople —(we have quoted but a few of them) which go to prove that he possessed, now that he was in the prime of life, the power to stir the fancy and rivet the eye which will keep a memory green long after all that more durable qualities can do to preserve it is forgotten. The power is a mysterious one compounded of beauty, birth, and some rarer gift, which we may call glamour and have done with it. ‘A million candles’, as Sasha had said, burnt in him without his being at the trouble of lighting a single one. He moved like a stag, without any need to think about his legs. He spoke in his ordinary voice and echo beat a silver gong. Hence rumours gathered round him. He became the adored of many women and some men. It was not necessary that they should speak to him or even that they should see him; they conjured up before them especially when the scenery was romantic, or the sun was setting, the figure of a noble gentleman in silk stockings. Upon the poor and uneducated, he had the same power as upon the rich. Shepherds, gipsies, donkey drivers, still sing songs about the English Lord ‘who dropped his emeralds in the well’, which undoubtedly refer to Orlando, who once, it seems, tore his jewels from him in a moment of rage or intoxication and flung them in a fountain; whence they were fished by a page boy. But this romantic power, it is well known, is often associated with a nature of extreme reserve. Orlando seems to have made no friends. As far as is known, he formed no attachments.